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Living space in architecture - Essay Example The living room as an architectural space has a complete interior design and has undergone renovation of an apartment composed of two floors. The main aim of building this apartment was to bring out a transformation of existing and dark apartments into brighter loft and meanwhile surface a real view elements found in ancient buildings. On the first floor there is a 60 m sq living room. Within the room itself many activities can be done at a go without getting involved into other areas and there is a conception that it is a space that is continuous with the capability of hosting variety of activities. There is staircase made of steel that is situated in a position that produces a transition linking the dining and cooking area. In the above there are walls that are made using satin glass and form a series which attracts natural light to the bathroom and the lower level. A seat is provided by an oak painted gray window bench which enjoys the striking view towards the neighborhoods. It can also be used as storage cabinets. A sliding door made of nut wood provides a possibility of closing off entrance room from living space. As the inhabitants enjoy cooking, the kitchenette has been stuffed with appliances that are specifically designed for fulfillment of the kitchen needs. On the second floor there is a room for guests and the master bed room. The rooms border each other and are always flexible to adjustment in case of need. They can be joined to serve any other purpose. The bathroomâ€™s location is just in between the master bed room and the guestsâ€™ room. ... As the inhabitants enjoy cooking, the kitchenette has been stuffed with appliances that are specifically designed for fulfillment of the kitchen needs. On the second floor there is a room for guests and the master bed room. The rooms border each other and are always flexible to adjustment in case of need. They can be joined to serve any other purpose. The bathroomâ€™s location is just in between the master bed room and the guestsâ€™ room. There have been removals of plaster walls that have been into existence with the aim of exposing beams of old roof into view. There is a long closet measuring 11 meters that have designed with its main purpose being for storage and at the same time act as a wardrobe. A colorful closet which has existed there has a purpose of definition of the closetâ€™s height and breaking of long line colored white of the latest furniture. On top of the closet there is light that is not direct that has been placed to put an emphasis on space continuity. There has been keen choice of the lighting system and designing of indirect light has been done in such a way that various possibilities are created to the place. The plain plinths and doors without frames have been put in place to bring out the perception of sharp and pure surfaces. The floor has been made using bamboo which provides a feeling of warmth upstairs. On the other hand, on the initial floor an epoxy floor that is gray creates a contrast that is balanced with the elements of nut wood. The floor is made of smooth tiles which reflect light into the room through the staircases. This mood creates a relaxed environment which provides a room for social interaction. The ceiling is made of ply wood and moderately high above the floors. This enables the sources of light
Spielbergâ€™s latest epic, Saving Private Ryan, has shocked audiences around the world with his brutally realistic, down-to-earth World War II invasion of Omaha beach. The film opens with the landing boats full of petrified, white-faced, conscripted soldiers, who struggle to cope with the pure terror imposed upon them from the enormity of the task they face.
No sooner do you see a close up of their trembling faces and each personâ€™s emotions and worries, the doors opened and the first wave of men were torn to shreds by German machine gun fire. Many men drowned as they were dragged under by their heavy equipment, and those who made it to the shore found themselves seriously outnumbered and out gunned. Specially-designed, frantic freehand camera-work creates the impression you are in the middle of the carnage, so Spielberg puts the audience on the beach with the Allies.
Eventually the soldiers complete the takeover of the beach but as the scene draws to a close, the former hand-held camera is now far more panoramic, scanning the beach from a height, but regardless of the thousands of bodies strewn across it, you do not see one face showing war de-humanising all the real people involved in it, who have families back home, but also turning those real people into just numbers and cannon fodder.
The scene ends with a close-up of a dead soldierâ€™s pack which contains the words Pvt S. Ryan and the scene cuts. Throughout the entire scene there was a tremendous amount of clever sounds and moving music. For instance, in the panoramic opening scene the music is rather dark and solemn, with a lot of low strings and brass, especially horns. This sets the tone for the scene to unfold.
In the first scene there is no music to emphasise actually being there, however there are numerous non-diegetic sounds added such as the underwater bullets piercing the struggling soldiers, the way when Captain Miller gets confused and deaf that the sound is blurred and returns to normal when he comes round but there is also diegetic sound when the explosions are going off as the film crew used hundreds of set explosions in the scene, the lapping of the waves and the monologue were all diegetic sounds.
The next scene is a wonderfully made piece that is truly emotional and is a silent one. There is a woman in a crowded office with light shining through, a complete contrast to the dark, de-saturated war scene a moment before. The lady sees three telegrams from the same family and takes it to the senior staff. It is reassuring to see how these men-in-power have some humanity left, taking the case higher and higher until it found the commander-in-chief played by the talented Bryan Cranston who decides that the remaining sibling should be pulled out and sent back to the grieving mother.
The point where the mother received the news was fantastically portrayed by Spielberg. It is set in the countryside with a traditional American home surrounded by golden fields yet in the corner of the sky it is dark grey and symbolises the bad news on its way. The car crawls up the small, winding, country lane viewed panoramically from in front of and behind the house.
There was one shot that was astoundingly emotional, where Spielberg captured a close-up of the motherâ€™s reaction while showing the car and effectively the news creeping closer, through using the reflection of the window. As she rushes to the door she is cleverly silhouetted out showing that it could be anyone receiving the news and that vast amounts of parents go through this. Also as part of the mise en scene, when she opens the door, she is blacked out and the car pulls up along the house then the officials climb out, the woman falls to her knees.
However, throughout this whole dark shot, to the right is a coffee table with light streaming on to it, there is a photo of the four boys in their army uniform showing that they all went but also expanding the plot as you know that there were only three telegrams. All over the table there are flags and patriotic items, this tries to show that the people are behind the war, and that it is the ordinary people who have to stand up to the tyrant.
Finally, Spielberg covers many aspects of war in his brilliant production and uses vast amounts of extremely intelligent shots and clever, emotional to portray the emotions and effects that the de-humanising war had on normal people such as Miller, the small town English teacher at home and on the front. Show preview only The above preview is unformatted text This student written piece of work is one of many that can be found in our GCSE Miscellaneous section.
Write something about yourself. No need to be fancy, just an overview.